Projects for Research Line History of Theater
|
Professor Responsible
|
Title of Research Project
|
|
Clóvis Garcia
|
Sophocles’s satirical drama
|
|
Elizabath Azevedo
|
The Sebastião Arruda Company of comedy, operetta, revue, vaudeville and variety
|
|
Elizabath Azevedo
|
Information and Memory Laboratory of ECA/USP’s Arts Sciences Department - LIM CAC
|
|
Fausto Viana
|
The Milk and Coffee Plots
|
|
Jacó Guinsburg
|
Dialogism in the romantic work of Diderot Jacques the fatalist and Rameau’s nephew
|
|
João Roberto Gomes de Farias
|
Theater ideas in Brazil: the XX century ( 2nd Part1943-1978)
|
|
João Roberto Gomes de Farias
|
Machado de Assis and Theater
|
Projects for Research Line Text and Scene
|
Professor Responsible
|
Title of Research Project
|
|
Ana Maria Amaral
|
Dichotomies – Schizo Fragments
|
|
Ana Maria Amaral
|
The Protagonons: Preparing actors for visual theater
|
|
Antônio Araújo
|
Pedagogical practices for teaching theater direction
|
|
Felisberto Sabino da Costa
|
Under the Sign of Janus: Dramaturgy, Object and Body
|
|
Felisberto Sabino da Costa
|
Improvisation Practices in Theatrical Creations
|
|
Jacó Guinsburg
|
Dialogism in the romantic work of Diderot Jacques, the fatalist and Rameau’s nephew
|
|
José Eduardo Vendramini
|
Eleonora (A Lesson on Love)
|
|
José Eduardo Vendramini
|
Dramaturgy Theory and Practice: a comparative study of the principle theories
|
|
Luiz Fernando Ramos
|
For a contemporary Theory on spectacles
|
|
Luiz Fernando Ramos
|
Mimesis and spectacular performance
|
|
Maria Helena Bastos
|
Rose Chair
|
|
Sérgio de Carvalho
|
The epic-dialectic theater and its contemporary use
|
|
Sílvia Fernandes
|
Theatricalities and Performance. The experiences of “Teatro da Vertigem” and “Companhia dos Atores” in the Brazilian scenario
|
|
Sílvia Fernandes
|
Contemporary theatricalities
|
Projects for Research Line Training of Theater Artists
|
Professor Responsible
|
Title of Research Project
|
|
Antonio Luiz Dias Januzelli
|
Latin-American Dramaturgy
|
|
Armando Sérgio da Silva
|
Reflexive Contextualization On the Actor’s Work
|
|
Armando Sérgio da Silva
|
Actors Performing Experimentation Center – CEPECA
|
|
Elisabeth Silva Lopes
|
Performance: between bodies and worlds, fluxes and representations
|
|
José Batista Dal Farra Martins
|
Poetics of the Voice: Voice and Words in an Actor’s Training according to Myrian Muniz
|
|
Maria Thais Lima Santos
|
Performance and Pedagogy in Contemporary Theater
|
Projects for Research Line Theater and Education
|
Professor Responsible
|
Title of Reaserch Projects
|
|
Flávio Desgranges
|
INERTE – Unstable Nucleus for Studies of Theater’s Reception
|
|
Ingrid Koudela
|
Lexicon of Theater Pedagogy
|
|
Ingrid Koudela
|
Lessing: The Productive Critic
|
|
Marcos Bulhões
|
Performance in learning performing arts: an experiment in training Theater directors and professors
|
|
Marcos Bulhões
|
Pedagogy in non-dramatic theater: the systematization of hyper textual methodological principles and procedures in training teachers
|
|
Maria Lúcia Pupo
|
Theater Groups and Cultural Activities
|
- 1382 reads
